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Sociology of film
The sociology of film can be clearly seen within the spanning genres of film since the creation of film. The genres span from Gangster films to Musicals that all have sociological aspects embedded in the course of the films. Every screenwriter has always tried to figure out what sociological aspects should be incorporated in a film so that they can reach out to a wide audience within the two hours in which their film is presented.
"One problem, though, is that if the audience is the measure all things, then art becomes a reflection of sociology and dissecting audience tastes becomes the art."〔Edward Rothstein. Is the Audience Being Rowdy?. New York Times. New York, N.Y.: May 27, 2000. pg. B.11f〕
"Somehow, although our poets have not yet defined it for us, a corporation lives a life and finds a fate outside the lives and fates of its human constituents." 〔Tino Balio, The American Film Industry. The Fortune. 1976. Pg. 263.〕 The sociology of a film is created off of people and their situations that comes to a screen writer who then decides to make the film into a motion picture with the use of those actors and actresses that become the famous socialites of the film.
Since the creation of film, there are six main genres that comprise the film industry. These six genres are: Gangster, Hard Boiled Detective, Western, Screwball Comedy, The Musical and The Family Melodrama.〔Thomas Schatz, Hollywood Genres. Random House. 1981.〕
==Genres==
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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